Please feel free to share but please credit the writer where possible.
THE CHRONICLE
Where It Started - 1982
A group of new and old friends on a South Wales Rhymney valley train heading from the village of Pengam to the nation's capital Cardiff. The topic of Mike's acoustic guitar playing came up in the conversation and Paul remarked that he wrote poetry and lyrics and maybe they should get together sometime.
The two exchanged material. Mike provide a cassette of two original acoustic songs The Sea and The Answer To Our Love. Paul provided a few poems and lyrics and a cassette with melodies. Mike was struck by Paul's skill in producing lyrics along with an accompanying melody, without being able to play any musical instrument. Paul rang Mike to say that he really liked the style of the two songs and was excited about what they could do together.
So started the decades-long musical journey of Mike Davies and Paul Ivor Jones.
It was 1982.

Maybe the earliest photo of Mike and Paul; taken for a local newspaper article circa 1983
Resurgence: 2020-2021 - The phone box ballad year
2020 was a momentous year for the duo. Mike retired from a 30 year career in the Australian public service which (in his words) 'freed up a hijacked headspace' and, motivated by political protest, resumed songwriting under the solo artist Anderson, of a Painter. In July 2020 Paul, still actively writing, suggested to Mike 'we ought to do some songs together-life's too short. What's stopping us?' Nothing, evidently, based on what followed.
It was the Year of the Phone Box Ballad: 12 months, 7 released albums of original material, all recorded on a mobile phone in a small box room of Mike's home.


What's In A Name?
The duo decided their band name would draw from the title of their earlier CD (You're Welcome To) Jumbotown.
The name Jumbotown came from Paul's readings about historical villages, towns and communities within Mynyddislwyn, a district in South Wales and one of his favourite mountainous walking areas. Perhaps the most fitting account of 'Jumbotown' is left to Phil Thomas and his work Jumbletown Cowboys where the narrator describes a 'ramshackle settlement known locally as Jumbletown [possibly] a corruption of Jumbotown... named after a giant of a man called Jumbo Kelly who lived there. The name Jumbotown certainly appears on parish records'
Please feel free to share but please credit the writer where possible.
Over the hurdle: The second album: Tin pan
An artist's second album is said to be the hardest but the duo was fortunate enough to find that theirs flowed quickly and naturally from their first. 11 tracks fuelled with a continuing stream of new material, the two songwriters joked that they felt like they were sitting in the infamous Tin Pan Alley.
Being South Welshmen they contemplated calling the album Tin Pan Valley but Robert Plant had beaten them to that title. Tin Pan it was.
The cover photo was taken by Paul. Rusted, weather-worn abandoned machinery and equipment strewn through beautiful natural environments feature throughout Paul's writing.
making of harvest: album #3
Making Of Harvest became an album made up of many tracks which proved popular in pre-release form with many in the BandLab folk community.
The striking cover photo is by Carina Brewer, its laid-back got-to-escape-the-city-if-you-can country feel capturing the atmosphere of a number of songs on the album.
'Great acoustic guitar playing... great folk music right there', Sandie M BBB Barossa Radio in Tanunda/Nuriootpa South Australia
continuing... something new from the base of old
The title of the fourth album is the full refrain from the song Base Of Old, track 13 of the 14-track album. The duo was very much initially inspired by 1960s/70s artists and the phrase 'something new from the base of old' is recognition of the, albeit often subconscious, role which that and other foundations play in their songwriting process. As Mike says 'we don't deliberately aim to sound different, we don't aim to mimic or be true to any particular genre either, what comes comes, but there is always a foundation.'
The album cover is a photo taken by Tobias Tullius from his 1992 Ford Transit van. For the duo, the photo as album cover conveys moving forward into new things but always indelibly from the road along which you came.
V for the fifth
The duo's fifth album, simply entitled "V", was released on the 1st of May 2021. It featured 13 tracks, including a performance video of the track Gold Ships.
The album cover used a photograph by Lawrson Pinson who said "I wanted this photo to symbolize how individuals are often dragged down by others or their wave of negativity." This resonated strongly with Mike and was particularly pertinent to the track Walk Away which also used the photo as part of its cover artwork.
SEVERN
The album Severn was released on 20 August 2021. Consisting of 10 tracks of original compositions, it was described by the duo as the last of the Phone Box Ballad series. 12 months, 7 albums, 85 songs, 82 of which were written in that 12 month period.
The duo's long-term writing partnership was clearly reinvigorated and produced a platform of material which they intend to build upon in 2022 and beyond.
The Video 'Hiatus' period
Following the August 2021 release of their album Severn, the duo entered a 'hiatus' brought on by a relocation of Mike within Australia. The intention was never to stop writing but rather to transition to more of a studio-quality recording to future releases. That transition was delayed and extended due to COVID restrictions and State lockdowns within Australia. Whilst the duo continued to share new material with the BandLab community, they decided to use the 'hiatus' to also share the new material PRE-release more broadly but in video form.
Catch the videos below; click through to YouTube to see the lyrics.